Southside Makers District
A proposal for the adaptive reuse of the abandoned ‘Howden’s Engineering Works’ building in Glasgow, that implements the concept “theatre of the making process” to explore the role of narrative in communicating site history, identity, culture, and a sense of place.
Masters Final Project
An adaptive reuse restoration project for a derelict factory in Glasgow’s southside promoting the restoration of valuable historical architecture over demolishing for new-build development.
Collaborative studios for social creatives.
Concept Development Collage (using Adobe Photoshop)
The narratives and collective stories that abandoned buildings embody capture one of the key motives behind my adaptive reuse project. They shine neglected buildings in a romantic light and provoke deeper thought into the value these structures hold.
Once thriving spaces of industrial and architectural heritage, these often derelict structures are of great historic, environmental, cultural, and economic significance. Glasgow is notorious for the crumbling architectural remnants of its scarred industrial landscape, and whilst these neglected structures would likely be costly to restore, this provides great opportunity for creative design solutions that challenge new build construction and attempt to prevent ‘demolition by neglect’ through recycling existing building stock and preserving the embodied value these structures hold.
For my final project, I redesigned what was previously Howden’s Engineering Works - a ginormous severely neglected Victorian-era factory space in Glasgow’s Southside that’s been unoccupied for over 30 years. Celebrating its rich narratives of Clydeside construction, it’s shipbuilding industry, and Glasgow’s growing creative landscape, I proposed this site be restored and reinvented as The Southside Makers District; a collaborative studio and makerspace encouraging creative interaction, experimentation, education, work experience, and freelance support; allowing this site to once again contribute to its surrounding cityscape and retain Glasgow’s architectural heritage.
The concept; ‘The theatre of the making process,’ primarily uses material and scale to communicate the site’s narrative through the exposure of its workings; its construction, components, structure, fixtures, and fitting elements. It aims to highlight the making of the space, and in doing so, share its past and present narrative, celebrating its identity and maker culture through that design language, paying homage to the site’s engineering past whilst investing in Glasgow’s future creative talent.
Key images from the design outcome:
Location Analysis Collage (using Adobe Photoshop).
Fascinating method of expressing a site’s rich history using a tapestry of historic and present-day photographs.
Front Section Visual (using SketchUp, Vray, and Adobe Photoshop)
Sectional perspective visual showing the completed design from the front, providing examples of how the maker space could be used in various capacities by local creatives as a social space, work space, learning space, and promotional space.
Entrance Visual (using SketchUp, Vray, and Adobe Photoshop)
Interior visual of the main atrium as viewed from the primary entrance. The space appears as a thriving hub for social and creative activity. Its industrial material palette, large open-plan layout, flexible pop-up spaces, and overhanging upper levels, create an immersive and connective user experience that incorporates the concept of “theatre of the making process”. User activity can be casually viewed by everyone in a creative environment that prioritises creative interaction, experimentation, and education. The concept takes inspiration from the site’s past and present narrative, celebrating its identity and maker culture through its design language.